top of page

Issue No. 1

20260407_150143.heic

Table of Contents

  • ​The Mysteries of Pittsburgh's Relationship to the Film Industry, Dr. William Covey, pg. 1

  • Taking Meaning from Film, Jesse Thompson, pg. 5

  • Development of the Superhero Genre: The History behind the Heroes, Sarah Conley, pg. 11

  • Maintaining Auteurship: An Analysis of All About My Mother, Coraline, and Hannah Takes the Stairs, Michael Millen, pg. 23

  • Boyhood: The Coming of Age of a Genre, Connor Frampton, pg. 31

  • Hitchcock: The Auteur, Noelle Yester, pg. 35

  • Interview with Dr. Marshall Deutelbaum, Dr. William Covey, pg. 43

  • Order vs. Disorder in Hitchcock's Movies, Lacy Good, pg. 55

  • Existential Despair in the Works of Ingmar Bergman, Jesse Thompson, pg. 60

  • Slavoj Zizek's Violence in Capitalist America Through the Lens of Zack Snyder's Watchmen, David Potsubay, pg. 71

  • Widescreen Worldwide, Abigail Hennon, pg. 81

  • Her: Johansson's Voice Charms Audiences in Technological Romance Film, Jimmy Graner, pg. 87

  • Beaten to a Pulp, Aristotle Piso, pg. 91

Issue No. 2

20260407_150148.heic

Table of Contents

  • Return of The Roxy: The Roxy Strikes Back, Dr. William Covey, pg. 1​

  • Pushing Boundaries in Cinema & Theater, Conner Smith, pg. 4

  • Qualifications of an Auteur, Matt Miller, pg. 11

  • Adding Meaning to America, Kaisha Jantsch, pg. 19

  • Unconventional Approaches to Asian Film and Media, Megan Egli, pg. 24

  • The Women Behind the Blonde and the Body, Harmony Kasper, pg. 31

  • Sympathy for the Devil: Hitchcock's Helix, Aristotle Piso, pg. 45

  • Auteurs and Film Techniques, Mary Miskinis, pg. 56

  • Excerpts from The Way We Were, Ken Harris, pg. 64

  • The Cultural Differences, Similarities, and Film Devices Used in Ringu and The Ring, Haley Maskrey, pg. 67

  • Class Warfare and CATFISH, Amanda Salvia, pg. 74

  • The Collection: A Sequel to Rival the First in Technological Romance Film, Cheyenne Perkins, pg. 78

  • Artificial Intelligence (AI): From Lab to Lust, Kelsey Phillips, pg. 80

Issue No. 3

20260407_150152.heic

Table of Contents

  • ​The Roxy: Three Coins in the Fountain, Dr. William Covey, pg. 1

  • Thinking about Comedic Traditions, Katey McKenna, pg. 4

  • An Interview with William J. "Joe" Palmer, pg. 12

  • ​Film Audiences and the History of the World, Matt Hart, pg. 32

  • Don't Cha Know: Films are Sexy, Cheyenne Perkins, pg. 41

  • Control in Media, J. Mabold, pg. 52

  • Social Networking: Catfish and the Misconstruction of Reality, Alec Cunic, pg. 60

  • Style Trumps Substance in The Neon Demon, Kait Vukonich, pg. pg. 68

  • Gangster Films Made Me Do It: Is the "hood" film genre limiting to black youth, LaMorie Marsh, pg. 72

  • Contemporary Films from the 90s Until Today: An Innovative Approach to Filmmaking, Jenna Massaro, pg. 78

  • Getting Lost in the Wilderness of the National Park Service's Website, Rebekah Luplow, pg. 89

  • The Body in the Frame: Filming Techniques in Early Movies, Sarah Torchia, pg. 95

Issue No. 4

20260407_150157.heic

Table of Contents

  • ​The Roxy: Fantastic Four, Dr. William Covey, pg. 7

  • Film Techniques Through the Ages, Stephanie Ace, pg. 10

  • ​Neo-Noir: A Close Reading of the Dark Side, Aisha Aldubayan, pg. 16

  • Plugged In, Taylor Carson, pg. 23

  • Frameshift: Sharing the Shot in Langton's Adaptation of Pride and Prejudice, Victoria Davis, pg. 29

  • The Importance of Digital Literacy in Education, Andrea​ Furka, pg. 35

  • They're Here, and They're Queer: LGBTQ+ Representation in Film, Cheyenne Perkins, pg. 41

  • Once More, with Nuance: Eschewing Perfection in the Modern Musical, Amanda Salvia, pg. 58

  • The Aesthetics of Chinese Film, Katie Socash, pg. 65

  • Pass-Along Songs and Duets: Why They Matter, Courtney Speaks, pg. 78

  • Postmodern Musicals: Bigger, Better, Braver, Courtney Speaks, pg. 86

  • #CyberMisogyny: The Final Boss for Female Gamers, Kait Vukovich, pg. 94

Issue No. 5

20260407_150202.heic

Table of Contents

  • ​The Roxy: The Five Obstructions, Dr. William Covey, pg. 6

  • Snooping Through Snopes, Taylor Akers, pg. 10

  • Contemporary Film, Zakary Buerkle, pg. 14

  • Film Techniques and Elements, Katherine Clark, pg. 29

  • Neo-Noir, Nick Coffman, pg. 35

  • Bye Bye Bird Box, Samantha Figard, pg. 42

  • An Interview with Marta Renzi, Jennifer Keller, pg. 46

  • Review of Controversies in Digital Ethics, Marshall Martin, pg. 55

  • Digital Literacy and A Networked Society, Tova Schilling, pg. 61

Issue No. 6

20260407_150208.heic

Table of Contents

  • ​The Roxy: Six Degrees of Separation, Dr. William Covey, pg. 6

  • Redefining the Chick Flick, Samantha Figard, pg. 8

  • A Divisive Success, Shirah Kinder, pg. 11

  • An Interview with Pankaj Rishi Kumar, Peter Korman, pg. 16

  • Growing through Danger, Luna Ling, pg. 30

  • The Art of American History, Katie Maskrey, pg. 39

  • Computers, Controls, and Communication, Rachel Morris, pg. 45 

  • Real-Life Monsters, Jenna Moses, pg. 55

  • Joker: Who is the Real Villain, Cierra Naglowsky, pg. 58

  • The Meaning of Early Film Techniques, Ryan Yeager, pg. 61

Issue No. 7

20260407_150212.heic

Table of Contents

  • The Roxy: Living Long and Prospering, Dr. Timothy Ruppert, pg. 7

  • The Arduous Task of Experimenting, Raymond Holloway, pg. 8

  • An In-Depth Look at Rear Window, Battleship Potemkin, and Citizen Kane, Isabella Jones, pg. 15

  • Metamorphosis: Change Through Adversity, Isabella Jones, pg. 21

  • The Persistence of Storytelling in a Digital Age, Anna G. Potter, pg. 39

  • Navigating in a Networked World, Christina Puffinburger, pg. 46

  • Art of Cinema: Not for the Weak of Spirit, Rachael Robinson, pg. 53

  • Defining Neo-Noir, Raisa Rogers, pg. 60

  • Classic Hollywood Cinema: A New Perspective on Bringing Up Baby and Citizen Kane, Michael Bagley, pg. 65

Issue No. 8

20260407_150216.heic

Table of Contents

  • ​The Roxy: Reelin in the Year, Dr. Mark O'Connor, pg. 7

  • The Value of Black and White Cinematography, Carmer Scarpine, pg. 8

  • A Sign of Their Times: Satirical Political Films are the Modern-Day Political Cartoon, Dereck Majors, pg. 13

  • Girls in 1970's Horror: Sexual Agency and its Punishment, Emily Ambery, pg. 21

  • Heathers Transformed the Teen Film Genre as Much As-and Because of The Breakfast Club, Lauren Ness, pg. 30

  • An Interview with Pittsburgh Filmmaker Chris Frey, Jack Dollinger and Harold Domville, pg. 44

  • Contributors, pg. 71

Issue No. 9

20260407_150220.heic

Table of Contents

  • ​Nine Lives: The Roxy Survives, Dr. William Covey, pg. 6

  • Harold's Review of: Blackwood Arts: How an Organ is a Time Machine, Harold Domville, pg. 8

  • Meaning and Emotion Via Visual and Technical Elements in Classic Films, Grace Hall, pg. 13

  • Fighting the Power, Sasha Jantsch, pg. 22

  • Is Life an Auteur Film, Jenna Lubinski, pg. 32

  • Tribeca: A Place Where Film Fanatics Congregate, Jenna Lubinski, pg. 38

  • The Nature of Parents, Hannah Hohman, pg. 41

  • New Ideas in European Film: Romance, Realism, and Satire, Carson Denney, pg. 44

  • Introducing CinemaScope: When Movies Became Bigger Than Life, Natalie McCosby, pg. 54

  • Sticking (and Not Sticking) to You Plan: David Fincher's The Killer, Shane Napier, pg. 61

  • Barbie Unboxed, Bethany Boyles and Kellee Lubich, pg. 64

  • Contributors, pg. 69

Issue No. 10

20260407_150226.heic

Table of Contents

  • ​Innocence: A Poem by William Boggs, pg. 6

  • Ten Little Issues: An Introduction by Dr. William Covey, pg. 7

  • The Worst Era of Cinema by Jack Dollinger, pg. 11

  • An Interview with Andres Stephens Conducted/Transcribed by Connor Whyel, pg. 22

  • The Fluidity of Ethos in The Interview by Angelina Giacomazza, pg. 28

  • Exploring Vulnerability: Mise-en-Scene and Cinematic Quests in Three Films by Elizabeth Pierce, pg. 33

  • Boyz N The Hood: Film Review by Yvette Ngwenya, pg. 43

  • Singles: Film Review by Charlie V. Stoops, pg. 48

  • Reel vs. Real by Heath Chase, pg. 52

  • A Defence of Un-Subtle Filmmaking: Coralie Fargeat's The Substance by Shane Napier, pg. 57

  • Nosferatu: Film Review by Natalie McCosby and Alexandra Elliot, pg. 60

© 2035 by On My Screen. Powered and secured by Wix

bottom of page